I]
       ____ (breath, blow, kiss)
               ___ (b,b, kiss) LIVE
       blowout i-iv
       ( breathingspace
       OVER_ EXPOSURE (REST
       ABSENT SKIN
       SEVERAL/GLOW (x y z
       CONVERSION (glow)
       Continual (
       NOWNES(S(ESS_
       SONGS TO THE SUNS
               WE (   live      
       RED PATIENCE        
       PERISTYLE
               CHOR(EO GRAPH)VS
       BLUE-BARBAR-BRAID
               FORM(UL)ATIONS
               Vessels (black, gold    
       Simple Form(ation)s
               Portraits
       ALL THAT GLITTERS
       SOFTNESS
       Beginnings (Odyssey)

II]
        ~LETHE

III]      
        About
        CV
        Talks
        E-mail

NOWNES(S(ESS_


EXTRA WORLDING PROTOZONE IV, Shedhalle (Zurich, CH)
2021

with: Shu Lea Cheang, Tarek Lakhrissi, Cibelle Cavalli Bastos, Doireann O’Malley, Ceylan Öztrük, Public Fiction Group, Sabrina Röthlisberger, Bhenji Ra & Justin Shoulder (Club Ate), Jacolby Satterwhite, Sin Wai Kin
07.09. 2021- 31.10.2021



_(SUNRISE(SET & _(OPENINGS exhibition view2021Photo: Claudia Schleiffer


_(FOLDSexhibition view2021Photo: Claudia Schleiffer




The title of this work refers to a caring attention to presence (NOWNESS) as primary material for world-making. It also references author N. K. Jemisin’s Broken Earth, in which the faculty of SESSing means the ability to feel and act upon a wide variety of geological processes such as shifting, growing and altering the course of tectonic plates.

Until the 16th century, the color orange had no proper name in Europe, but was called yellow-red. Orange is the color of both the sunrise and the sunset. Such embodied liminality is what gives shape to theconstellation of the works developed for this exhibition. An orange light spilling through the crack of a slight open door. The light spill makes present the space between the exhibition space and the outside, pointing at the occurence of now-time.
A grouping of ceramic forms placed on the between-space of the exhibition surrounded by green plants, lit by soft yellow-reds. The forms are only to be seen through glass panels evoking a space for consensual being looked at. Between creature and static object, the works hoan in on the materiality of soil and the skinfold or orifice.

A semi-translucent drawing backlit by orange neon light. The graphite drawing points to semi-fictive/semi-real openings, volcanic craters.





NOWNES(S(ESS_exhibition view2021Photo: Claudia Schleiffer


_(SUNRISE(SET
light-spill through door-crack 
2021Photo: Claudia Schleiffer


_(FOLDSexhibition view2021Photo: Claudia Schleiffer


_(OPENINGS
drawing installation
yellow-red light behind graphite on semi-transparent paper
2021Photo: Claudia Schleiffer


_(OPENINGS
drawing installation
yellow-red light behind graphite on semi-transparent paper
2021Photo: Claudia Schleiffer


_(OPENINGSdetail
yellow-red light behind graphite on semi-transparent paper
2021Photo: Claudia Schleiffer


_(OPENINGSdetail
yellow-red light behind graphite on semi-transparent paper
2021Photo: Claudia Schleiffer


_(FOLDS
ceramic sculptures, orange light
2021Photo: Claudia Schleiffer


_(FOLDS
ceramic sculptures, orange light
various dimensions2021Photo: Claudia Schleiffer


_(FOLDS
ceramic sculptures, orange light
various dimensions2021Photo: Claudia Schleiffer


_(FOLDS
ceramic sculptures, orange light
various dimensions2021Photo: Claudia Schleiffer


_(FOLDSceramic sculptures, orange lightvarious dimensions2021Photo: Claudia Schleiffer


_(SUNRISE(SET & _(OPENINGS exhibition view2021Photo: Claudia Schleiffer


_(SUNRISE(SET & _(OPENINGS exhibition view2021Photo: Claudia Schleiffer


© 2024
IZIDORA I LETHE

design: pascalkaegi.com